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I am an interdisciplinary scholar of discourses about Africa and gender and sexuality in African contexts. My first book, The Pull of Postcolonial Nationhood (2010), uses the works of migrant women writers to interrogate the gender politics of African nations. My second book, Postcolonial Hauntologies (2020), is an interdisciplinary study that analyzes legislative documents, historical archival documents, literature, film, and performance and visual arts to show the politicization of African women's bodies. I am in the finishing stages of a third book on African literatures and the category of world literature. I am currently writing a 4th book entitled The Arts of Gender Parity: Politics, Literature, and the Arts in Senegal, 1975-2023. The book seeks to illuminate Senegalese women's forms of political presence and contest the prevailing underestimation of women as political actors in scholarship on electoral gender parity in Africa. By entering the conversation on electoral gender parity via literature and the arts, the book also brings the humanities to bear on sociopolitical questions which have been thus far monopolized by social scientific methods.
"The Idea of Africa: Queer Visual Arts, Time, and the Postcolonial Archive." African Arts Spring 2026 • Vol. 59, No. 1
Postcolonial Hauntologies: African Women's Discourses of the Female Body. (University of Nebraska Press, 2019.)
The Pull of Postcolonial Nationhood: Gender, Migration, and the Claims of Postcolonial Nationhood in Francophone African Literatures. (Lexington Books, 2010)
Homophobic Africa?, editor; special issue of African Studies Review, special issue 56.2 (2013)
World Literature Otherwise: Alain Mabanckou and the Globalectics of African Literature
The Arts of Gender Parity: Politics, Literature and the Arts in Senegal, 1975-2023